Article 370 Review:
“Article 370,” a Bollywood film starring Arun Govil, Priyamani, and Yami Gautam, is currently showing in theaters. The film, which was directed by Aditya Suhas Jambhale, the winner of the National Award, narrates the tale of the Prime Minister’s decision to revoke Jammu and Kashmir’s special status. On social media, people are expressing their opinions, and the majority of them are positive about the film.
Article 370 Director: Aditya Suhas Jambhale
Article 370 Cast: Yami Gautam, Priyamani, Skand Sanjeev Thakur, Arun Govil, Raj Arjun, Sumit Kaul, Kiran Karmarkar, Raj Zutshi, Divya Seth.
Article 370 Rating: 2.5 Stars
The first film was about war, whereas the second is about politics, according to Aditya Dhar, who also produced the second film. He made this clarification, which is useful because “Article 370” expresses its ideas in a very political manner.
The narratives in “Article 370” are a combination of invented tales and some very handy fabrications. It presents the government’s decision to revoke Jammu and Kashmir’s special status as a cunning piece of statecraft, supporting it. It ignores, nonetheless, the fact that doing so required bending constitutional restrictions.
A few convenient lies are mixed in with made-up narratives in “Article 370” based on actual occurrences. The perspective it espouses is one of cunning statecraft, one that backs the government’s decision to revoke Jammu and Kashmir’s special status. It ignores the fact, though, that in order to do this, some interpretation of the constitution was required.
When the tale advances to August 5, 2019, the day when Article 370 was repealed, the film pays tribute to former J&K governor Jagmohan, depicts demonetization as a way to stop funding extremists, and puts instances like tying someone to a jeep in a good light.
The fact that “Article 370” is expertly crafted, much like “Uri,” makes everything simple to watch. Its acting is effective, the discourse is devoid of unduly theatrical emotions, and its action scenes are remarkable. In the past, director Jambhale has won praise from critics.
The film’s emotional and professional elements are expertly handled by Yami, who plays an intelligence agent who is also a Kashmiri Pandit. The way that “Article 370” centers the important legislative events on her and Priyamani—a well-dressed senior official in the PMO—is also commendable.
An old man who appears tired of asking the Valley leadership for favors and seeing their kids get sucked into militancy is used in the film to represent the average Kashmiri. Important plot points that take place in places like Jammu and Ladakh are not explored.
Politicians in J&K are portrayed negatively, with Farooq Abdullah and Mehbooba Mufti-like figures being given scathing representations. Even Ghulam Nabi Azad, who is the Leader of the Opposition in the Rajya Sabha debate on the abrogation bill, is given a separate identity, possibly because of his friendly connection with the government at the moment, which doesn’t represent his native J&K or Muslim origin.
The Home Minister, played by Karmakar, a doppelganger of Amit Shah, doesn’t accomplish anything at first, merely existing in the background. But Karmakar really makes an impression when he presents the Bill to the House.
Khawar Ali (Arjun), the head of the Srinagar Intelligence Department, is the only deeply complex character in the movie. Like in the past, he carries out clandestine operations while compromising and requesting favors. It doesn’t look well for him, though, to be operating in the gray areas in a movie that stresses the stark differences between right and wrong.
In a passionate speech, Zooni Haksar, played by Yami, links terrorism to money, calls Azaadi a charade, and holds Article 370 responsible for a number of problems, including as women’s rights, the migration of Pandits from the Valley, and the non-recognition of Scheduled Castes. The crowd cheers, and the authorities pay attention.
The phrase “Main Atal Hoon” is still being passed around, indicating that the enthusiasm is still high. Other movies that have a similar plot include “Accident” or “Conspiracy: Godhra,” “Bastar: The Naxal Story,” and “Swatantrya Veer Savarkar,” all of which are scheduled for release before the elections in two months.
In the meantime, Article 370 has new significance; it is now the BJP’s aim in the 2024 elections as well as a constitutional need.
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